“Bite-Size Bits of Local, National, and Global History”
“Bite-Size Bits of Local, National, and Global History”
Downtown in Washington, District of Columbia — The American Northeast (Mid-Atlantic)

Kate Raudenbusch (based New York, NY)

Future's Past 2010


—laser cut steel, light, and hourglass; Courtesy of the artist —

<b>Kate Raudenbusch</b> (based New York, NY) Marker image. Click for full size.
By Devry Jones, March 28, 2018
1. Kate Raudenbusch (based New York, NY) Marker
Kate Raudenbush is a self-taught, Burning Man-bred sculptor, known for her large-scale, geometric works. Her immersive, experiential environments are spaces for exploration, human connection, and intellectual curiosity—even sacred—works serve as allegories for social and environmental concerns.

Visitors to Raudenbush's Future's Past encounter a temple to technology, abandoned and consumed by nature. Referencing both the roots of trees and computer circuitry, this modern ruin is a meditation on technology and the environment's vital role in our survival. The black pyramid evokes a Mayan temple, an homage to a collapsed culture and a reminder of the frailty of our own, while the tree alludes to the vegetation around Angkor temples and the sacred Bodhi, the fig tree under which Buddha found enlightenment. An hourglass inside the altar signals the urgency of our current technological evolution.

The placement of these outdoor sculptures and related programming are made possible by the Golden Triangle Business Improvement District in collaboration with the Renwick Gallery of the Smithsonian American Art Museum. Support is provided by Lyft.

#NoSpectators #GoldenTriangleDC

Do not climb on sculpture



<i>Future's Past</i> from the front (west) image. Click for full size.
By Devry Jones, March 28, 2018
2. Future's Past from the front (west)
the Desert to DC

This sculpture is one of six outdoor installations presented as part of No Spectators: The Art of Burning Man, a takeover of the entire Renwick Gallery that extends into the Golden Triangle neighborhood.

For a map of artworks, artist interviews, and more information go to:

Erected 2018 by Smithsonian Institution, Renwick Gallery Smithsonian American Art Museum, Golden Triangle, Lyft. (Marker Number 5.)
Location. 38° 54.073′ N, 77° 2.764′ W. Marker is in Downtown, District of Columbia, in Washington. Marker is at the intersection of Pennsylvania Avenue NW and I Street NW, on the right when traveling west on Pennsylvania Avenue NW. Touch for map. Marker is in this post office area: Washington DC 20006, United States of America.
Other nearby markers. At least 8 other markers are within walking distance of this marker. Home of James Monroe (within shouting distance of this marker); George Washington (about 300 feet away, measured in a direct line); Walter E. Washington Memorial Arch (about 300 feet away); Marquis de Lafayette Hall (about 300 feet away); Union Methodist Church
<i>Future's Past</i> from the back (northeast) image. Click for full size.
By Devry Jones, March 28, 2018
3. Future's Past from the back (northeast)
(about 500 feet away); "The Seven Buildings" (about 600 feet away); Ingrid Bergman (was about 700 feet away but has been reported missing. ); GW's River Horse (about 700 feet away).
Also see . . .  No Spectators: The Art of Burning Man. (Submitted on March 28, 2018, by Devry Jones of Washington, District of Columbia.)
Categories. Arts, Letters, MusicChurches & Religion
Credits. This page was last revised on April 3, 2018. This page originally submitted on March 28, 2018, by Devry Jones of Washington, District of Columbia. This page has been viewed 57 times since then and 2 times this year. Photos:   1, 2, 3. submitted on March 28, 2018, by Devry Jones of Washington, District of Columbia. • Bill Pfingsten was the editor who published this page.
Paid Advertisement We are suspending advertising until they remove an ad for a certain book from circulation. A word in the book’s title has given rise to number of complaints. The word is inappropriate in school classroom settings.