Jimmy Reed
Jimmy Reed Few blues artists have ever have ever developed the widespread appeal with both black and white audiences that Jimmy Reed had. Reed toured the country as a headliner and was a favorite act on Southern college campuses during an era when African Americans could not even attend most of the schools where he played. Reed’s easygoing vocal delivery and basic blues beat were ready-made for singing along and dancing, and most of his songs dealt with the everyday joys and problems of love and romance. Legions of listeners were inspired to take up the guitar or harmonica because Reed made the music sound so effortless.
Reed grew up on John Collier’s Shady Dell
plantation and first sang spirituals at Pilgrim Rest Baptist Church in Meltonia. Blues harmonica player Willie Foster was a childhood friend. Reed received little schooling and spent most of his time working the fields here and on the McMurchy plantation near Duncan. During the 1940s he moved to Chicago, served a year in the U. S. Navy, and returned to farming work with his parents in Clarksdale in 1945. Reed began performing in Chicago’s streets, alleys, and nightclubs after he went back to the city and found work at an iron foundry, a steel mill, and the Armour meat packing plant. Reed played guitar and harmonica at the same time, using a wire rack around his neck to hold the harmonica. His unique sound, developed with his longtime partner, guitarist Eddie Taylor, became one of the predominant styles in blues after he began recording for Vee-Jay Records in 1953.The first of Reed’s nineteen national hit singles was “You Don’t Have to Go” (1955). His success in the mainstream pop music market came years before B. B. King, Muddy Waters, and most other prominent blues artists were recognized outside the African American
Reed’s career was sidetracked by epilepsy and alcoholism, and although he recovered sufficiently to begin touring again in the 1970s, health problems persisted. He died on tour in Oakland, California, on August 29, 1976. Reed was inducted into the Blues Hall of Fame in 1980 and the Rock and Roll Hall of Fame in 1991. His children, some of whom had sung or played blues with him, embraced gospel music and formed the Seeds of Reed Ministry and a publishing company, Seeds of Reed Music.
Erected 2008 by the Mississippi Blues Commission. (Marker Number 43.)
Topics and series. This historical marker is listed in these topic lists: African Americans • Arts, Letters, Music • Entertainment. In addition, it is included in the Mississippi Blues Trail series list. A significant historical date for this entry is August 29, 1976.
Location. 33° 27.015′ N, 90° 48.934′ W.
Regionally, this marker is in the American South, specifically in the Deep South, in the Mississippi Delta, and in the Great River Road Region. Globally, it is in North America, a Gulf of Mexico state, the Western Hemisphere, the Western World, and the Anglosphere. Historically, it finds itself in what was once New Spain, the territory of the Mississippian Culture, one of the Confederate States of America, and the Antebellum South.
Other nearby markers. At least 8 other markers are within 6 miles of this marker, measured as the crow flies: Charley Patton (approx. 3.4 miles away); Deer Creek (approx. 5˝ miles away); Tyrone Davis (approx. 5.6 miles away); James “Son” Thomas (approx. 5.6 miles away); Heathman Plantation Commissary (approx. 5.7 miles away); Johnny Winter (approx. 5.7 miles away); Corner of 10 and 61 (approx. 5.7 miles away); Ruby's Nite Spot (approx. 5.7 miles away).
Credits. This page was last revised on April 9, 2021. It was originally submitted on April 9, 2021, by Mark Hilton of Montgomery, Alabama. This page has been viewed 756 times since then and 47 times this year. Photos: 1, 2, 3, 4. submitted on April 9, 2021, by Mark Hilton of Montgomery, Alabama.



