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San Giovanni in Firenze in Cittเ Metropolitana di Firenze, Tuscany, Italy — Southern and Western Europe (Mediterranean)
 

Giuseppe e Vittorio Jacquier

Battistero di San Giovanni Battista
⎯⎯⎯
Baptistry of St John the Baptist

— Circa 1887; Inv. Gabinetto Fotografico 50120 (Jacquier collection) —

 
 
Giuseppe e Vittorio Jacquier Marker, Side One image. Click for full size.
Photographed by Sean P. Flynn, July 25, 2025
1. Giuseppe e Vittorio Jacquier Marker, Side One
Inscription.
[Italian-language caption on the left:]
Le fotografie del fondo storico Jacquier sono state eseguite da Giuseppe (Torino 1824- Firenze 1892) e dal figlio Vittorio (Firenze 1865- ivi 1935) in un arco temporale che va dal 1873 circa al 1935.

La fotografia mostra il Battistero. La ripresa ่ con buone probabilitเ databile agli anni antecedenti il 1887, perch้ non ci sono ancora i fili della prima illuminazione a luce elettrica, installata appunto nel 1887, in occasione dell'inaugurazione della nuova facciata del Duomo.

La piazza subi modifiche alla fine dell'Ottocento, quando in seguito alle demolizioni dell'antico Centro della cittเ, il palazzo arcivescovile fu arretrato. Il Battistero ่ ripreso da via Calzaioli, il suo rivestimento mar-moreo ่ il protagonista di questa fotografia: la perfetta scansione degli spazi e il ritmo dei marmi, sapientemente posti a comporre un disegno geometrico ripetuto in tutte le sue facciate, si impongono per l'andamento grave e solenne. I gradini della Loggia del Bigallo, a sinistra, e il lamquinte, che permettono una lettura dell'edificio nel contesto della piazza. Anche lo sfondo di edifici a destra e a sinistra, che si intravedono oltre il Battistero, permette di percepire le dimensioni del volume dello stesso; infatti l' inquadratura fotografica offre il massimo delle informazioni
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sulle proporzioni architettoniche dell'edificio e sul suo inserimento nella piazza. L'immagine del Battistero ่ perfettamente centrata sia rispetto al suolo che al cielo ed ่ un punto di vista proposto per ammirare al meglio "il bel San Giovanni", come era chiamato un tempo questo monumento cosi carico di storia ed arte.

[English language caption on the right:]
The photographs in the historic Jacquier collection were taken by Giuseppe Jacquier (Turin 1824 - Florence 1892) and by his son Vittorio Florence 1865-1935) over a period of time stretching from around 1873 to 1935. This photograph, showing the Baptistry, can be dated in all likelihood to before 1887 because there is as yet no trace of the cabling for the city's first electric lighting system, which was installed to mark the inauguration of the new fa็ade of the cathedral in 1887. The square was redeveloped in the late 19th century, when the archbishop's palace was moved back by half a block following the demolition of the medieval city centre. The baptistry here is taken from Via Calzaioli and its marble cladding is the real eye-catcher in this photograph. The perfect partition of the spaces and the rhythm of the marble, skilfully arranged to compose a geometric design repeated on each of the building's eight sides, are striking in their solemnity. The steps of the Loggia del Bigallo on the
Giuseppe e Vittorio Jacquier Marker, Side Two image. Click for full size.
Photographed by Sean P. Flynn, July 25, 2025
2. Giuseppe e Vittorio Jacquier Marker, Side Two
left and the lamp-post on the right serve as markers to define the perspective in the photograph, acting almost like stage props to enable the observer to appreciate the Baptistry's setting in the square, while the buildings playing the role of a backdrop on either side of the Baptistry also help to define its volumetric dimension. In fact, the photographer appears to have deliberately framed the Baptistry in such a way as to provide his audience with the maximum amount information regarding both its architectural proportions and its setting in the square. The image of the Baptistry is also perfectly centred with regard both to the ground and the sky, as though Jacquier had intentionally chosen his standpoint to allow the observer to appreciate the full beauty of the "bel San Giovanni", as this monument so rich in history and artistic splendour was once commonly known.
 
Topics. This historical marker is listed in these topic lists: ArchitectureArts, Letters, MusicReligion & Religious Structures. A significant historical year for this entry is 1887.
 
Location. 43° 46.112′ N, 11° 15.368′ E. Marker is in Firenze, Toscana (Tuscany), in Cittเ Metropolitana di Firenze. It is in San Giovanni. It is on Via dei Leoni, on the left when traveling north. The marker is a caption below the reprint of a photograph that can be found
Circa 1887 photo of the Baptistry of St. John on display at the Uffizi image. Click for full size.
Photographed by Sean P. Flynn, July 25, 2025
3. Circa 1887 photo of the Baptistry of St. John on display at the Uffizi
at the exit to the Uffizi Gallery. Touch for map. Marker is in this post office area: Firenze, Toscana 50122, Italy. Touch for directions.

Regionally, it is in Europe, the European Union, the Schengen Area, a coastal Mediterranean country, and the Western World. Historically, it finds itself in what was once the Byzantine Empire, the Roman Empire, and specifically the Holy Roman Empire.

Other nearby markers. At least 8 other markers are within walking distance of this marker: John Brampton Philpot (here, next to this marker); Ex Chiesa di San Pier Scheraggio / Former Church of San Pier Scheraggio (within shouting distance of this marker); Meridiana Monumentale / Monumental Sundial (about 90 meters away, measured in a direct line); Site of the Via dei Georgofili Bombing (about 90 meters away); Torre de' Pulci (about 90 meters away); Palazzo Castellani (about 90 meters away); The Liberation of Florence, 1944 (about 120 meters away); Firenze — Piazza della Signoria / Florence — Piazza della Signoria (about 120 meters away). Touch for a list and map of all markers in Firenze.
 
Also see . . .  Giuseppe and Vittorio Jacquier and the image of Italy. This article from the Uffizi Gallery discusses the Giuseppe and Vittorio Jacquier collection of photos, which was acquired by the gallery in 1943.
Exccerpt: "The Jacquier collection can be divided into two thematic areas: architectural and panoramic views of Florence and other cities (not only in Tuscany), and reproductions of works of art from museums and private collections. The views, permeated with admiration for the art of Western
Giuseppe e Vittorio Jacquier hoto image. Click for full size.
Photographed by Sean P. Flynn, July 25, 2025
4. Giuseppe e Vittorio Jacquier hoto
The photo is one of two that can be found just outisde the exit to the Uffizi Gallery bookshop.
civilisation, are influenced by the tradition of engravers, painters, and even photographers (such as Alinari). The shots, often taken with the sun high and during the summer season, are characterised by great formal elegance and generally follow the traditional 'postcard' routes: views from above, churches, palaces, squares, and bridges."
(Submitted on August 18, 2025, by Sean P. Flynn of Oak Park, Illinois.) 
 
 
Credits. This page was last revised on September 24, 2025. It was originally submitted on August 18, 2025, by Sean P. Flynn of Oak Park, Illinois. This page has been viewed 85 times since then and 2 times this year. Photos:   1, 2, 3, 4. submitted on August 18, 2025, by Sean P. Flynn of Oak Park, Illinois.
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Jun. 5, 2026