John Samuel Blunt, Painter

John Samuel Blunt, Painter. Portsmouth Visual Label Program. Born in 1798 into a family of Portsmouth Mariners, John Samuel Blunt was apprenticed in the Boston workshop of artist John Ritto Penniman where, from age 14 to 21, he mastered the art of ornamentation. Here, he met other ambitious young artists who yearned, as he did, to transcend artwork into the fine art of painting portraits and landscapes. After a career of only a dozen years in Portsmouth and Boston, Blunt was one of an emerging group of American landscape artists to paint directly from nature.

Photo 1 , New Hampshire State Seal, 1819 Completing his apprenticeship in 1819, Blunt sketched from nature and painted landscape views. His earliest known work is this Seal of New Hampshire painted for the new state capitol building erected in Concord in 1816. The seal features, as a symbol of the state’s economy, a ship under construction at the water’s edge, a scene familiar to Blunt from his youth in Portsmouth. John Samuel Blunt, New Hampshire State Seal, painted panel. Courtesy of New Hampshire Historical Society, Concord, N.H.

Photo 2 , Advertisement in NH Gazette In 1821, the 23-year-old John S. Blunt began ten years as an ornamental and portrait painter in Portsmouth, renting rooms on Daniel Street. His everyday work included gilding frames, ornamenting lamps and tins, painting fire buckets, lettering and blacking coffin plates, painting signs, decorating rocking chairs, gilding ship’s figureheads, numbering church pews, and graining, striping and decorating. Right: Newspaper Advertisement from the New Hampshire Gazette, June 3, 1821, Courtesy of the Portsmouth Athenaeum. The scene opposite Blunt’s Daniel Street studio (Hale’s Hat Store, right), from J.S. Blunt sketchbook. Right: Drawing: J.S. Blunt Sketchbook, Courtesy of Portland Athenaeum.

Photo 3 , View of Portsmouth Blunt’s landscape masterpiece is a huge View of Portsmouth from Freeman’s Point about 1830. The heart of his panorama captures the city from a mile upriver. To the left is the wooden pile bridge from Noble’s Island in Kittery, built in 1822. Across the North Mill Pond in the foreground are sailing ships beside North End wharves and warehouses. The compact urban skyline is punctuated by a windmill atop a nearby hill and the towers, spires, and cupolas of the city’s eight churches. John Samuel Blunt, Detail View of Portsmouth from Freeman’s Point, circa 1830, Oil on canvas. Courtesy of City of Portsmouth, Gift of Mayor William H. Sise.

Photo 4 , Self Portrait John Samuel Blunt, 1798-1835, self-portrait, Oil on canvas, Private Collection.

Photo 5 , View of the Piscataqua River While Blunt supported his growing family by his craft, he also found time to paint a number of water views of ships and the Portsmouth Naval Ship Yard, such as this 1824 view of the Piscataqua River from Nobel’s Wharf in 1825, he opened a drawing and painting school and soon moved his studio to new rooms at the corner of State and Court streets. In 1830, Blunt moved to Boston, where he continued to work as an artist until 1835, when he died at age 37 on a home from New Orleans to Boston. John Samuel Blunt, View of the Piscataqua River from Nobel’s Wharf, 1824. Oil on canvas. Courtesy of Portsmouth Athenaeum. Gift of Joseph and Jean Sawtelle. Funding for this marker was provided by the city of Portsmouth, 2011.