New York in New York County, New York — The American Northeast (Mid-Atlantic)
George Washington Statue
Union Square Park
George Washington was born into a prosperous family on February 22, 1732, in Westmoreland County, Virginia. He was privately educated and gained experience as a land surveyor, before joining the militia. He served as an officer in the French and Indian Wars from 1755-1758. After rising to the rank of colonel, he resigned his post and married Martha Dandridge (1731-1802), returning as a gentleman farmer to the family plantation at Mount Vernon, Virginia.
He soon reentered public life, and served in succession as a member of the Virginia House of Burgesses (1759-74), and as a member of the First and Second Continental Congresses (1774-75). Upon the outbreak of the American Revolution in 1775, Washington was made Commander-in-Chief of the Continental Army. His military prowess and inspirational leadership held the colonial armies together against overwhelming odds, and secured the
Washington again retired to Mount Vernon, but his dissatisfaction with the new provisional government caused him to resume an active role, and in 1787, he presided over the second federal constitutional convention in Philadelphia. He was then unanimously chosen first president of the United States, and was inaugurated at Federal Hall in New York City on April 30, 1789. Washington was reelected to a second term in 1793, declined a third term, and retired from political life in 1797. Often referred to as “the father of our country,” Washington is universally regarded as having been instrumental in winning the American revolution and in establishing the new nation.
In 1851, a committee of concerned citizens interested in erecting a monument to Washington in New York approached sculptor Horatio Greenough (1805-1852), known for his huge classical marble portrait of Washington. Simultaneously, the committee also invited Henry Kirke Brown to submit a design, though it was unclear whether he was to assist Greenough or compete with him for artistic selection. Any prospect of collaboration evaporated with Greenough’s premature death in December 1852.
Though Brown, like many of his generation, made an obligatory visit to Italy to study, he was part of a group of sculptors attempting to establish a truly American
The moment brown depicts is that of Evacuation Day, November 25, 1783, when Washington reclaimed the city from the British. With outstretched hand, he signals to the troops in a gesture of benediction, a sculptural motif indebted to precedents from antiquity, most notably the Marcus Aurelius statue on Rome’s Capitaline Hill. Yet Brown’s attention to detail, and the life with which he infuses his subject, united classical gestures and pose with what has been described as a “simple and direct naturalism.” The piece was cast at the Ames foundry in Chicopee, Massachusetts, one of the first foundries in the United States capable of such large-scale quality work. The names of the donors are inscribed on the skyward face of the bronze sub-base. Brown also sculpted the statue of Abraham Lincoln on the north side of the park.
On June 5, 1856, the Washington statue was installed on a simple granite base designed by Richard Upton. The event drew thousands of spectators. One month later, on July 4, the statue
In 1989, the sculpture was conserved, and the missing sword and bridle strap recreated through the Adopt-A-Monument program, a joint venture of Parks, the Municipal Art Society, and the New York City Art Commission. The Citywide Monuments Conservation Program, a public-private initiative, conserved the sculpture in 2001, and performed additional restoration of the bronze in 2004 and granite pedestal in 2006.
In the aftermath of the attacks on the World Trade Center on September 11, 2001, the George Washington sculpture served as a touchstone for collective grieving and public expression, and became the central focus of a massive round-the-clock community vigil and a provisional shrine. These events reaffirmed the symbolic power of New York City’s most venerable outdoor work of art.
Topics and series. This historical marker is listed in these topic lists: Arts, Letters, Music • Colonial Era • Parks & Recreational Areas • War, US Revolutionary. In addition, it is included in the Former U.S. Presidents: #01 George Washington series list. A significant historical date for this entry is February 22, 1732.
Location. 40° 44.123′ N, 73° 59.442′ W. Marker is in New York, New York, in New York County. Marker is on East 14th Street near between Union Square East & West, on the right when traveling south. Touch for map. Marker is at or near this postal address: Union Square Park, New York NY 10003, United States of America. Touch for directions.
Other nearby markers. At least 8 other markers are within walking distance of this marker. A different marker also named George Washington Statue (here, next to this marker); Union Square Park (here, next to this marker); Commemorating the 50th Anniversary of the New York City Pride March (within shouting distance of this marker); Union Square History (within shouting distance of this marker); New York City Garment Workers (within shouting distance of this marker); Mohandas K. Gandhi (within shouting distance of this marker); Lafayette (within shouting distance of this marker); Independence Flagstaff (within shouting distance of this marker). Touch for a list and map of all markers in New York.
Also see . . . "The Equestrian Washington" - Union Square(Submitted on February 12, 2020, by Larry Gertner of New York, New York.)
Credits. This page was last revised on February 12, 2020. It was originally submitted on August 27, 2019, by Larry Gertner of New York, New York. This page has been viewed 109 times since then and 18 times this year. Photos: 1, 2, 3, 4, 5, 6. submitted on August 27, 2019, by Larry Gertner of New York, New York. • Bill Pfingsten was the editor who published this page.