Downtown in Northwest Washington in Washington, District of Columbia — The American Northeast (Mid-Atlantic)
Jamila El Sahili
Human Being
Human Being is my attempt to break the wall of xenophobia associated with the Arabic language. Over time, the worldwide Arabic population and the Arabic language has increasingly portrayed in a negative light. The media strongly focuses on connecting the word "terrorism" with the words "Arabic" and "Muslim" spreading vitriol for the Arab diaspora, while discounting the complexity and multifacetedness of Arabic culture. The Arabic community faces dehumanizationwhere fear has become the natural reaction of people when they come in touch with the Arabic language. As a counter, Human Being functions as a mirror for society. I'd like to ask onlookers to confront their personal biases when seeing my work. What does it mean to you? What implicit and explicit associations come to mind? What do you feel?
About the Artist
Jamila El Sahili (b. 1983, Beirut, Lebanon/raised in Datteln, Germany) is a New York based artist, mother, refugee, immigrant and a Muslim Woman of Color. She earned her Bachelor of Arts Degree from Ruhr-University in Bochum Germany double majoring in American Studies and Middle Eastern Studies. Her work is aiming to dissociate the Arabic language from its media driven narrative of terrorism, fear, and oppression and realign it with its human connection.
About FOR FREEDOMS
El Sahili's Human Being was original exhibited as part of FOR FREEDOMS artist billboard campaign. For Freedoms is a platform for greater participation in the arts and in civil society. We produce exhibitions, installations, public programs, and billboard campaigns to advocate for inclusive civic participation. Inspired by American artist Norman Rockwell's paintings of Franklin D. Roosevelt's Four Freedoms (1941)freedom of speech, freedom of worship, freedom from want, and freedom from fearFor Freedoms Federation uses art to encourage and deepen public explorations of freedom in the 21st century.
We believe citizenship is defined by participation, not by ideology. Through non-partisan nationwide programming, we use art as a vehicle for participation to deepen public discussions on civic issues and core values. We are a hub for artists, art institutions, and citizens who want to be more engaged in public life.
Founded in 2016 by artists Frank Willis Thomas and Eric Gottesman, For Freedoms is a platform for creative civic engagement, discourse, and direct action. Inspired by American artist Norman Rockwell's paintings of Franklin D. Roosevelt's Four Freedoms (1941)freedom of speech, freedom of worship, freedom from want, and freedom from fearFor Freedoms' exhibitions, installations, and public programs use art to deepen public discussions on civic issues and core values, and to advocate for equality, dialogue, and civic participation. As a nexus between art, politics, commerce, and education, For Freedoms aims to inject anti-partisan, critical thinking that fine art requires into the political landscape through programming, exhibitions, and public artworks. In 2018, For Freedoms launched the 50 State Initiative: the largest creative collaboration in U.S. history.
Erected by Eaton Workshop; For Freedoms.
Topics and series. This historical marker is listed in these topic lists: Arts, Letters, Music • Civil Rights • Religion & Religious Structures • Women. In addition, it is included in the Former U.S. Presidents: #32 Franklin D. Roosevelt series list. A significant historical year for this entry is 1983.
Location. Marker has been permanently removed. It was located near 38° 54.164′ N, 77° 1.702′ W. Marker was in Northwest Washington in Washington, District of Columbia. It was in Downtown. It was on K Street Northwest (U.S. 29) just west of 12th Street Northwest, on the right when traveling west. Touch for map. Marker was at or near this postal address: 1201 K St NW, Washington DC 20005, United States of America.
We have been informed that this marker is no longer there and will not be replaced. This page is an archival view of what was.
Regionally, this marker was in the Washington Metropolitan Area. It was also in the American Northeast, in the Upper South, in the Mid-Atlantic, in the Tidewater, and in the Chesapeake Bay Region. Globally, it was in the North Atlantic Region, North America, the Western Hemisphere, the Western World, and the Anglosphere.
Other nearby markers. At least 8 other markers are within walking distance of this location: The Messer Building (about 300 feet away, measured in a direct line); a different marker also named Asbury United Methodist Church (about 300 feet away); The First Wireless Telephone Call (about 300 feet away); a different marker also named Franklin Square (about 400 feet away); a different marker also named Asbury United Methodist Church (about 400 feet away); The Leonard "Bud" Doggett House (about 500 feet away); Edmund Burke (about 500 feet away); The Church of the Ascension and St. Agnes (about 600 feet away). Touch for a list and map of all markers in Northwest Washington.
Other markers no longer nearby. Asbury United Methodist Church (was about 300 feet away but has been replaced with another marker now near it); Franklin Square (was about 400 feet away but has been replaced with another marker now near it).
Credits. This page was last revised on January 30, 2023. It was originally submitted on January 9, 2021. This page has been viewed 388 times since then and 14 times this year. Photos: 1, 2. submitted on January 9, 2021.

